First Mark
Time: 30-60 min
Lines, shapes, and the courage to make a mark on a blank page. The first workshop. Every artist before you started here, whether they admit it or not.
Why this workshop
A blank page is the hardest thing in art. Every artist has stared at one, frozen, afraid to ruin it. This workshop is about getting past that — making the first mark and then the second and then the hundredth — until the page stops feeling sacred.
Once you can make marks without judgment, every other workshop gets easier. This is the door. Walk through it.
What you need
Materials.
Cheap paper, lots of it
Copy paper, newsprint, the back of school worksheets. The cheaper the better. This is anti-precious.
Pencil (any kind)
Mechanical, wood, charcoal — doesn't matter.
Pen with no eraser
Any ballpoint or sharpie. The no-eraser part is the lesson.
The exercise
Step by step.
Step 01
Make 50 marks on one sheet.
Step 02
Without lifting the pen, draw an object.
Step 03
Draw the same object 10 times in 10 minutes.
Step 04
Draw with your non-dominant hand.
Step 05
Throw away the worst sheet.
What to look for
Signs you’re doing it right.
Lines that have CONFIDENCE
A bad confident line beats a good hesitant one. Look for the marks where you committed.
Variation in mark types
Did you discover marks you didn't know you could make? Curves, scribbles, dots, crosshatching — all of these are tools you now know.
Speed when it doesn't matter
Notice the marks you made fast. They're usually the best ones. Your hand knows things your brain second-guesses.
Common mistakes
If you’re stuck, it’s probably one of these.
Going too slow
The mind starts judging. Speed beats it. If you're working slowly, you're overthinking.
Trying to make it 'good'
This workshop is the wrong place for that. Good doesn't matter here. The page count matters.
Erasing
If you have an eraser nearby, put it in another room. The whole point is to make marks that stay.